Earlier this week, I had considered selling off some of my analog cameras -- especially a Cine-Kodak K-100 that I had lusted after back in college and finally purchased about 10 years ago.
(By the way, the K-100 was the camera used to shoot that famous "bigfoot" footage back in 1967.)
I also had hoped that my stereoscopic equipment could sell for good money.
But I've decided to keep them, since prices for anything but the most collectible film cameras have completely tanked. In terms of resale, film is the kiss of death.
Maybe it's just as well that I'm not trying to sell these cameras. Each has a strong emotional hold on me. For example, it would have been too devastating to sell my
Wirgin Edixa IA and
Stereo Realist 1041 3-D cameras. They've been through a lot with me. The Edixa has been with me since high school and accompanied me on whitewater rafting trips, treks into the desert, a snow-filled afternoon at Devils Tower -- and even filled in for a week as my primary camera at a small daily newspaper in Wyoming.
The image here is one of a stereoscopic pair I shot with the Edixa in Los Angeles back in the 1980s.
I'm figuring out how to scan both left- and right-eye views without disassembling the stereo mounts. When I do, I'll post some dimensional images.